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HavocHate Bio

HavocHate
Band members
Freddy Ordine - Guitars Mario Rodriguez - Guitars Tim Bouchee - Vocals Greg Christian - Bass Ovie Rodriguez - Drums

Genres

Everything in life happens in cycles. The ebb and flow of reality in
circular fashion; good times into bad, happy into sad, pleasurable and
painful. Coming to grips with pain and overcoming it creates the
opportunity for the cycle to begin anew, as pleasure.

The Cycle of Pain for Havochate led to the emotional outpouring embodied
on their latest effort, and Indecent Media debut. As guitarist and
mastermind Freddy Ordine explains, �Everyone goes through things like
these in their life that they can relate to and these things need to be
confronted and overcome, which is what we�ve done with this record.�

The process of overcoming required more than just gut-wrenching emotion,
it required the building of a family. The revamped lineup now features
powerful front man Tim Bouchee�s banshee screams and throaty growls as the
centerpiece to the more emotionally charged approach. �We found Timmy in
a want ad at a music store and when we brought him in to audition we were
just blown away at how well he fit into what we wanted to do. He really
uses his voice like an instrument and added a new depth to our sound,�
tells Ordine. �I try to sing what the parts call for. I like to mix it
up from a low gut wrenching growling to harmony and operatic melodies to
keep the flow of the songs,� explains Bouchee.

Havochate�s new sound harkens to the grand traditions of metal while
forging a new mastery of the genre. �It�s not just the stacking of riffs,
it was a real coming together of our ideas as a band,� says Ordine.
�Every riff was a growing up, waking up to the understanding of who we
were and how to use the passion inside of us.� It is exactly that coming
together, like a family, that helped the band overcome its individual
hardships in order break the Cycle of Pain. �I actually think that the
music came about pretty naturally, everybody brought their special trait
and the songs came together,� said Rodriguez.

�We wrote much of the record on acoustic guitars and contributing our
individual passions as they came to us,� Ordine explains. �The origins of
the songs in acoustic form gave us more of a drive in the melody and
stronger song development.� This gives the record a more natural, organic
feel as opposed to a trite building of songs from the preconception of
fusing together a series of riffs and patterns. According to Bouchee,
�The vocals take the music itself to the next level because they are the
final piece of the puzzle. We created melodies for the songs that are
very powerful and hook driven.�

The new sound and new family are only the beginning of Havochate�s new
approach. �We want to challenge the world around us and make a true
statement in music and about ourselves as musicians in the new scene,�
says Ordine. That statement will mean transcending the stereotypes of the
blossoming New Wave of American Heavy Metal and carving their own niche.
As Ordine explains, �We are just going to be ourselves�and this record
will give us that opportunity, to go out and play and enjoy the pleasure
playing brings all of us.�

Ordine understands that better than anyone after surviving a rotating
lineup throughout the previous touring with Motorhead/Anthrax, Overkill,
Manowar. �I realized how important it was to have that bond, and with all
we�ve been through to this point, I realize now we have to take the
boundary out of what we do and who we are and just let the emotion bleed
forth.� Likewise, Rodriguez feels, �We put out lots of energy and feel
we�re a live band so we feed off the crowd for what we do. We�re looking
forward to getting out there and making new friends with people who dig
heavy music like we do.�

And so the Cycle of Pain spins, refreshing the perception of not only the
band, but fans of heavy music. The redemption the members of Havochate
feel in the creation of the record is the same refreshed perception the
members of the band hope music fans in general will find in the songs and
in themselves through the aural experience of the Cycle of Pain.



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